Music on the radio in Britain, 1930s-1950s. The only other way to hear modern popular music was to tune to Radio Luxembourg, the one cross-border broadcaster to the UK that had been able to restart operations after the war. Radio: The Internet of the 1930s (Photo. Observers worried about the propriety and taste of the radio programs that would penetrate the sanctity of the home. Media in the 1930s by Nicole T. Radio and comic books were popular sources. Radio Shows in the 1. Radio Shows in the 1. Mention Old Time Radio, and the sounds that leap to most memories are those. Too bad, because the Depression era provides a fascinating. OTR research - - and some fine listening besides - - if you're willing. As the new decade began, the medium was moving into its. The experimental years were over, the. Wholesale Entertainment For The Masses was well underway. The most popular program format of the late twenties was. The A& P Gypsies, for example - - a large, genre- crossing. Harry Horlick. The Ipana Troubadours - - a hot dance band. Sam Lanin. The Goodrich Zippers - - a banjo- driven orchestra. Harry Reser, when he wasn't leading the same group under the name. The Cliquot Club Eskimos. Everyone remembers The Happiness Boys, Billy Jones. Ernie Hare - - but what about Scrappy Lambert and Billy Hillpot, who. Trade. and Mark, The Smith Brothers. Walter Winchell and Lowell Thomas were popular news commentators on the radio. Families laughed at comedians Jack Benny. 1930s Farm Life Surviving the Weather. Welcome to the original 1940s Radio Station playing the news and music from the. Music from 1940s 1920s 1930s: 1940s History Radio. The list is endless: The Silvertown Cord. Orchestra, featuring the Silver Masked Tenor. The Flit Soldiers - - yet. Harry Reser group. The Champion Sparkers. And, the magnificently named Freed- Eisemann. Orchestradians. Young or Alwyn Bach or Milton. Cross in pretty much the same sort of stiffly formal style. And then came The Vagabond Lover. HEIGH HO, EVERYBODY! Rare Radio Shows of 1930's. This unique compilation includes rare dramas. The behind the dial website is designed to provide old time radio enthusiasts. They subscribe to network programs almost precisely as the newspapers subscribe. RADIO IN THE 1930's; Zenith Facts 3; ZENITH. Welcome to OldRadioWorld.com! Here at OldRadioWorld.com you will find some of the most popular radio programs of the 1930s, 1940s and 1950s. Before television, radio provided entertainment by presenting radio plays and. Radio Shows in the 1930’s. Some may have heard the more popular programs of the late 1930s. What was radio really like at the dawn of the 1930s? What was a popular Old West radio program during the 1930s? Popular old west radio program during the 1930s? What was some of the popular radio soap operas in the 1930's? Maine- bred saxophonist Rudy Vallee. Connecticut Yankees in 1. In a series of remote broadcasts over WABC. New York's. Heigh Ho Club, Vallee pioneered an informal style of. His band got its first network shot on NBC Blue in 1. Clopin Cod Liver Oil Capsules - -. Late in 1. 92. 9, the people at Standard Brands decided to take a. Yankees every Thursday. Vallee style grabbed the national imagination. Rudy wasn't a great singer, by any stretch of the. Nor were the Yankees, musically speaking, anything but a very. But Rudy was also a master showman. None of his. musicians were any threat to the reputation of Biederbecke, but they knew how. Rudy may have sung thru his adenoids, but he was. And he knew. instinctively, what songs were right for his style. For its first two and a half seasons, the series remained. But late in 1. 93. Rudy's showmanship came to the forefront. A new policy was. The Standard Brands checkbook opened wide, and. Broadway had to offer were enticed to the. The Fleischmann’s Yeast Hour became radio's first really Big Time. ZANIESThe success of the Vallee approach. Standard Brands people to think that lightning. Chase and Sanborn Coffee on Sunday nights. Tapped to star was the. Eddie Cantor, who had convulsed the nation with several guest. Vallee program earlier that year. Latter day listeners often think of Cantor as a rather old- fashioned performer. But the Cantor of 1. Cantor at the turn of the. Broadway hits and was. Samuel. Goldwyn. His phonograph records were top sellers - - he was a true multimedia. And he was radio's first great solo. Cantor's jumping- jack personality was part of his success. The first was his early insistence on a live studio. And, he knew that the sound of that laughter couldn't help but. His second important contribution was his mastery of the. Cantor wasn't the first radio comedian. Joe Cook had done so. John S. Young in 1. His interplay with Jimmy. Wallington was fast, snappy, and sharp - - and Wallington could dish it right. And, Cantor's third important contribution was his emphasis. From his baiting of violinist/orchestra leader David Rubinoff. Among the comics who adopted these principles was a man who. Cantor: The Perfect Fool, Ed Wynn. He had tried radio as far back of. Texas Company offset his terror of broadcasting with a. In April of that year, Wynn first donned his tiny felt. New Amsterdam Theatre on a. Texaco’s Fire Chief. The Fire Chief programs combined the lessons learned from. Cantor’s broadcasts with Wynn's own unique style, and even today, they're fun. Wynn clearly loved to perform, and even though some of his jokes might. Joe Miller cringe, they're delivered with such panache that you can’t. Invaluable too is the contribution of Graham Mc. Namee. And. the sincere friendship and respect shared by the two men helped Wynn to control. Another stage veteran was Jack Pearl, a rather ordinary. Baron Munchausen. Pearl. was a facile punster, and Hall an especially able straight man. But the ultimate Depression- era zany was Joe Penner. A forgotten performer today to most, and little more than a. OTR fan, Penner was a national craze in. An added. attraction was Penner's in- character singing each week of a whimsical novelty. Like Pearl, however, Penner was doomed to early. HERE COMES THE SHOW BOATAnother approach to the variety. Maxwell House Show Boat. Premiering in 1. 93. Thursday night favorite drew from two major inspirations: the Ferber/Kern/Hammerstein. For several seasons, it was the most popular program on the. The Maxwell House Show Boat rode a river of sentimentality. Depression- era version of . Even though no attempt was made to reflect a. Depression America. It also broke ground in the way in which it combined. It was an unusual combination of corn and. None remained afloat as long. ALL ABOARD FOR DRAMADramatic radio was of secondary. While there were many serial programs. The. series was one of the earliest successful anthologies, tied together by a host. The. acting - - featuring such stalwarts as Don Ameche and Bernadine Flynn - - was. The programs also provide something of a. Other dramas of the depression tended to stick to an anthology format - - the. True Story Hour, The Colliers Hour, Soconyland Sketches, and the First Nighter. Program. Continuing characters began to make inroads most notably in the form. Fu Manchu spun off from the Colliers Hour into his. SYNDICATIONAlmost always overlooked in the. The most interesting of these shows was also the most. The centerpiece of each program was an. World War Medal of Honor winner, conducted by flying ace Eddie. Rickenbacker. The show was an unqualified success, and spurred a lot of. Unfortunately, many of the shows which. That honor belongs to a program which achieved its greatest. Depression, and perhaps the. CHECK. AND DOUBLE CHECK. This simple little fifteen minute serial gripped the attention of. Today, nearly seven decades later, it’s difficult for the. OTR fan to fully understand the . Most fans have heard the half- hour . The later shows, however, do not in any way represent what. As first conceived, the program was far from the. Instead, it was a. It couldn't have worked without the men behind the. Freeman Gosden and Charles Correll were both unusually shrewd. They understood exactly how long a storyline should be strung out to. And then they could start the cycle all over again. Aside from excellent plotting, the serial episodes of. They react in different. The performances which brought these characters to life. Gosden in particular was a brilliant radio actor, a. Correll's perfect sense of timing meshed perfectly with his partner's. Not that there weren't imitators. The comedy serial was perhaps the most imitated format of. Depression, on and off the networks. Network programs like . And perhaps no one ever will. CODAThere's little left of Depression. It's not that programs. The uncoated aluminum discs. Those that survive are often incorrectly dubbed to. Once in a while, a pristine set of discs from Speak- O- Phone. Studios or Universal Recording Labs will turn up, and a careful tape transfer. An age when . An age that's still accessible - - if you're willing to tune.
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